Ciclo Libertad.
As the people enter, the performer greets them and goes to introduce them in all kinds of combinations.
For those who did not know was a presentation, for those who knew each other was a representation
He takes out a few boxes of matches that he places on the table next to small colored led lights. He sits down on a small chair and takes off his boots to put them on two legs of the table, leaving it unbalanced. It supports his eye in one of the table corner, illuminates his eye with colored lights, which changes over the minutes, without further action
The action delocalises the audience in mere witnesses of something invisible: Comment on the acrobatic ant show that develops in the corner of the pedestal with the eyes of the performer; while critically appealing aspects of performance and its cultural context
