En Route.
En Route.
The Performer brings together the audience that has convened in a large square. He tells them that today they will begin by the end; holds a tiny microphone attached to a tape recorder, begging to ask them to applaud for a minute and a half, while he is recording.
He goes to one side of the square, dragging a bundle of long wooden slats, with each one of them making an image: like a spear, cross, rifle, etc.
Symmetrically to that position, perform the same actions with another packet of slats.
The performer takes out of his pocket a flashlight and makes a visual inspection of each person, illuminating them from head to toe. It separates people into two groups, but they also do not discover the characteristic that makes them different.
With each group he heads towards the area where the slats have been scattered on the ground and he asks the public to carry them on his shoulders.
Sound of barking dogs on one side.
The performer asks the audience to start spinning, each group according to the position between the components progresses more slowly or with more difficulty as the rigidity of the slats prevents rotating easily.
To the prerecorded sound of the dogs is added the one of the applause of the begining that sound in endless.
When they come to the collapse of movements, he suggest you let go and bring the slats to stand them on a metal file cabinet that is lying down and full of papers,
Once all the slats are on the cabinet the performer jumps on them to break them, inducing the public to do the same.
Already broken, the performer puts the sticks inside the filing cabinet burning all the content.
Distribute beers to the participants who remain to observe the fire while exchanging impressions.